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ruth liberman

  • Installations
    • released (april 16, 1945)
    • january 20, 1942
    • the ill-starred one
    • deliveries
    • accounts
    • when you receive this
    • last letters
    • a question of vigilance
    • escapes from “the tombs”
    • spines (from the series “elective affinities”)
    • closed cases
  • Site-specific
    • seasonal disorder
    • entitled
    • the gathering of evidence
    • le derri-air
  • Prints on Paper
    • humans are not animals
    • shot
    • word shot
    • betroffen … getroffen (shocked … shot)
    • blots (from the waterlily series)
  • Artist Books
    • the thick plot
    • untitled book
    • entitled
    • the book of oil — work in progress
  • Works on Paper
    • letters from “the tombs”
    • from the archives
    • series: “nose drawings”
    • murmur I & II
    • unruly hairs 1
    • unruly hairs 2
    • scroll #2
    • spontaneous and meaningless dissection of “nothing new on the horizon: art to come” by gillo dorfles, which i think was published in artforum on a date i don’t remember
    • Franz Kafka (from the series “Copying the Masters”)
  • short films
    • geschichte eines augenblicks [story of a blink of an eye]
    • betroffen — getroffen [shocked — shot]

—2—20161122_141457

June 1, 2017 Return to: the book of oil (work-in-progress)Full resolution (2304 × 1152)

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selected publications as author

  • "Transcripts," pp. 31-48 Komor, Sophia and Susanne Rohr (eds.): The Holocaust, Art, and Taboo: Transatlantic Exchanges on the Ethics and Aesthetics of Representation. Heidelberg: Universitätsverlag Winter, 2010 0
  • Book chapter: “Matters of Interpretation,” pp 93-106 Absence/presence: critical essays on the artistic memory of the Holocaust, ed. Stephen Feinstein — Google Books Result 0
  • Book Chapter: »Diejenigen, die selbst beim Lachen keinen Spaß haben« 0
  • Bio
  • contact
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