ruth liberman

pre- and post-work

  • Installations
    • released (april 16, 1945)
    • january 20, 1942
    • the ill-starred one
    • deliveries
    • accounts
    • when you receive this
    • last letters
    • a question of vigilance
    • escapes from “the tombs”
    • spines (from the series “elective affinities”)
    • closed cases
  • Site-specific
    • seasonal disorder
    • entitled
    • the gathering of evidence
    • le derri-air
  • Prints on Paper
    • humans are not animals
    • shot
    • word shot
    • betroffen … getroffen (shocked … shot)
    • blots (from the waterlily series)
  • Artist Books
    • the thick plot
    • untitled book
    • entitled
    • the book of oil — work in progress
  • Works on Paper
    • letters from “the tombs”
    • from the archives
    • series: “nose drawings”
    • murmur I & II
    • unruly hairs 1
    • unruly hairs 2
    • scroll #2
    • spontaneous and meaningless dissection of “nothing new on the horizon: art to come” by gillo dorfles, which i think was published in artforum on a date i don’t remember
    • Franz Kafka (from the series “Copying the Masters”)
  • short films
    • geschichte eines augenblicks [story of a blink of an eye]
    • betroffen — getroffen [shocked — shot]
  • contact
  • bio

← the book of oil (work-in-progress)

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By ruthliberman / June 1, 2017 2304 × 1152 pixels

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links

  • fine art adoption network
  • shadows larger than life
  • the one-minute film festival 2003-2012

selected publications as author

  • Absence/presence: critical essays on the artistic memory of the Holocaust – Google Books Result
  • Book Chapter: »Diejenigen, die selbst beim Lachen keinen Spaß haben«

selected bibliography

  • "Ruth Liberman in der kunst galerie"
  • Andrew Weinstein, "Beyond argument: contemporary artists on euthanasia," pp. 231-238
  • Andrew Weinstein, "Ruth Liberman/José Gabriel Fernández: Momenta Art"
  • Dominic DeLuque, "Artists Examine the Troubling Histories of Medical Abuse and Human Experimentation"
  • Etty Yaniv, "Après Coup: Transforming Trauma into Art"
  • F.J. Bröder, "Die Sprache im Visier"
  • Jochen Schmoldt, "Die poetische Wort-Bildwelt der Ruth Liberman"
  • Julia Faisst, "Provoking Taboos: Representing Holocaust Art Today"
  • Katie Kennedy, "Shooting Gallery: An Introducation to Guns in Contemporary Art"
  • Mónica de la Torre, "Ruth Liberman & José Gabriel Fernández at Momenta Art"
  • Svea Conrad, "Art that reverberates: A glimpse of Echoes of Loss: Artistic Responses to Trauma"
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